{"id":2012,"date":"2022-12-27T10:14:42","date_gmt":"2022-12-27T10:14:42","guid":{"rendered":"http:\/\/www.anfre.com\/?p=2012"},"modified":"2022-12-27T10:16:00","modified_gmt":"2022-12-27T10:16:00","slug":"ganadores-los-xxi-premios-ceramica-ascer","status":"publish","type":"post","link":"https:\/\/anfre.com\/?p=2012","title":{"rendered":"Ganadores de los XXI Premios Cer\u00e1mica de ASCER"},"content":{"rendered":"<p>La sede de ASCER acogi\u00f3 la reuni\u00f3n del jurado de los XXI Premios Cer\u00e1mica de Arquitectura e Interiorismo. El jurado, ha estado presidido por el arquitecto Eric Parry (Eric Parry Architects), y los siguientes vocales: Biba Dow (Dow Jones Architects), Luis Rojo (Rojo\/Fern\u00e1ndez-Shaw); Jos\u00e9 Juan Barba (METALOCUS), Agn\u00e8s Blanch (estudi vilablanch) y \u00c1ngel Pitarch (Colegio Arquitectos de Castell\u00f3n).<br \/>\nLos Premios cuentan con una dotaci\u00f3n econ\u00f3mica de 15.000\u20ac en las categor\u00edas de arquitectura e interiorismo, y 5.000 \u20ac en la categor\u00eda de Proyecto Final de Carrera (PFC).<\/p>\n<p>Los Premios Cer\u00e1mica est\u00e1n patrocinados por Endesa, la Autoridad Portuaria de Valencia y PwC Espa\u00f1a y cuentan con el apoyo de la Conselleria de Hacienda y Modelo Econ\u00f3mico de la Generalitat Valenciana en el marco del convenio suscrito con ASCER.<\/p>\n<p>La finalidad de los Premios Cer\u00e1mica es difundir el uso de la cer\u00e1mica espa\u00f1ola en obras de arquitectura e interiorismo (tanto dentro del territorio espa\u00f1ol como fuera de nuestras fronteras). Los Premios Cer\u00e1mica cuentan con una s\u00f3lida trayectoria y son muy reconocidos entre los profesionales del \u00e1mbito de la arquitectura.<\/p>\n<p><em><strong>Resultados de los XXI Premios Cer\u00e1mica<\/strong><\/em><\/p>\n<p>El jurado decidi\u00f3 otorgar por unanimidad los siguientes premios:<\/p>\n<p><strong>Premio Arquitectura:<\/strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-17749 alignleft\" src=\"https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/VPO_IBIZA_07_RIPOLLTIZON_JoseHevia-9-251x300.jpg\" sizes=\"auto, (max-width: 251px) 100vw, 251px\" srcset=\"https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/VPO_IBIZA_07_RIPOLLTIZON_JoseHevia-9-251x300.jpg 251w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/VPO_IBIZA_07_RIPOLLTIZON_JoseHevia-9-856x1024.jpg 856w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/VPO_IBIZA_07_RIPOLLTIZON_JoseHevia-9-768x919.jpg 768w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/VPO_IBIZA_07_RIPOLLTIZON_JoseHevia-9-1284x1536.jpg 1284w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/VPO_IBIZA_07_RIPOLLTIZON_JoseHevia-9-1712x2048.jpg 1712w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/VPO_IBIZA_07_RIPOLLTIZON_JoseHevia-9-1250x1495.jpg 1250w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/VPO_IBIZA_07_RIPOLLTIZON_JoseHevia-9-900x1076.jpg 900w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/VPO_IBIZA_07_RIPOLLTIZON_JoseHevia-9-675x807.jpg 675w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/VPO_IBIZA_07_RIPOLLTIZON_JoseHevia-9-480x574.jpg 480w\" alt=\"\" width=\"251\" height=\"300\" \/>\u201cVivendas sociales en Ibiza\u201d del estudio de arquitectura Ripoll-Tiz\u00f3n.<\/p>\n<p>El jurado ha querido destacar la calidad arquitect\u00f3nica de la propuesta, en la que se utilizan baldosas de gres esmaltado con aspecto tradicional que le confiere a la propuesta una calidez est\u00e9tica y una elevada durabilidad. Sin embargo, a su vez opera como sistema decorativo, marcando llenos y vac\u00edos que permiten ordenar la arquitectura del vac\u00edo interior que tanto protagonismo tiene en la configuraci\u00f3n de la propuesta.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Premio Interiorismo:<\/strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-17745 alignleft\" src=\"https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Avila_Allaround_JoseHevia-8-300x276.jpg\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Avila_Allaround_JoseHevia-8-300x276.jpg 300w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Avila_Allaround_JoseHevia-8-1024x944.jpg 1024w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Avila_Allaround_JoseHevia-8-768x708.jpg 768w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Avila_Allaround_JoseHevia-8-1536x1415.jpg 1536w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Avila_Allaround_JoseHevia-8-2048x1887.jpg 2048w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Avila_Allaround_JoseHevia-8-1250x1152.jpg 1250w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Avila_Allaround_JoseHevia-8-900x829.jpg 900w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Avila_Allaround_JoseHevia-8-675x622.jpg 675w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Avila_Allaround_JoseHevia-8-480x442.jpg 480w\" alt=\"\" width=\"300\" height=\"276\" \/>\u201c\u00c1vila. Proyectar el vac\u00edo\u00bb de ALL AROUND LAB (Noelia de la Red, Jordi Ribas)<\/p>\n<p>Del proyecto el jurado destaca la reducci\u00f3n al m\u00ednimo de los medios est\u00e9ticos y materiales utilizando la cer\u00e1mica tanto en pavimentos como en el revestimiento de mobiliario, otorgando a todo el conjunto una coherencia visual, que gracias a la utilizaci\u00f3n de l\u00e1minas cer\u00e1micas garantiza la durabilidad.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Proyecto Final de Carrera:<\/strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-17747 alignleft\" src=\"https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/PFC_rampante_1-300x212.jpg\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/PFC_rampante_1-300x212.jpg 300w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/PFC_rampante_1-1024x723.jpg 1024w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/PFC_rampante_1-768x542.jpg 768w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/PFC_rampante_1-900x636.jpg 900w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/PFC_rampante_1-675x477.jpg 675w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/PFC_rampante_1-480x339.jpg 480w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/PFC_rampante_1.jpg 1127w\" alt=\"\" width=\"300\" height=\"212\" \/>\u201cArquitectura rampante. El pueblo y la casa\u00bb de Marta Millanes S\u00e1nchez de la Escuela de Arquitectura de Toledo.<\/p>\n<p>Del proyecto el jurado destaca utilizaci\u00f3n de la cer\u00e1mica como hilo conductor en la definici\u00f3n de los recorridos dentro de la vivienda.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>MENCIONES DE HONOR<\/em><\/p>\n<p><em>Menci\u00f3n Arquitectura:<\/em><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-17746 alignright\" src=\"https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Pergola_Bonafide_OlehKardash-4-300x240.jpg\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Pergola_Bonafide_OlehKardash-4-300x240.jpg 300w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Pergola_Bonafide_OlehKardash-4-1024x819.jpg 1024w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Pergola_Bonafide_OlehKardash-4-768x614.jpg 768w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Pergola_Bonafide_OlehKardash-4-1536x1229.jpg 1536w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Pergola_Bonafide_OlehKardash-4-2048x1638.jpg 2048w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Pergola_Bonafide_OlehKardash-4-1250x1000.jpg 1250w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Pergola_Bonafide_OlehKardash-4-900x720.jpg 900w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Pergola_Bonafide_OlehKardash-4-675x540.jpg 675w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Pergola_Bonafide_OlehKardash-4-480x384.jpg 480w\" alt=\"\" width=\"300\" height=\"240\" \/>\u201cUna p\u00e9rgola abierta a la huerta\u201d de Bona fide taller (Alejandro Mart\u00ednez del R\u00edo)<\/p>\n<p>El jurado destaca la capacidad de regenerar un espacio de borde en el entorno urbano, de una peque\u00f1a poblaci\u00f3n del interior de Castell\u00f3n. El proyecto resuelve el problema mediante una \u00fanica pieza cer\u00e1mica que conforma el pavimento del espacio, y la cubierta de la p\u00e9rgola de protecci\u00f3n integrando el lavadero y muro de contenci\u00f3n existentes.<br \/>\n\u201cPabell\u00f3n \u00c1gora Valencia\u201d de Arqueha+Miguel Arraiz.<\/p>\n<p>El jurado destaca la utilizaci\u00f3n de la cer\u00e1mica, con una soluci\u00f3n tecnol\u00f3gica de elementos ensamblados, montable y desmontable, para confeccionar un espacio c\u00edvico planteado como icono de la capitalidad del dise\u00f1o de la ciudad de Valencia.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Menci\u00f3n Interiorismo:<\/em><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-17751 alignleft\" src=\"https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Vivienda-en-Granada_Premios-Ascer-300x240.jpg\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Vivienda-en-Granada_Premios-Ascer-300x240.jpg 300w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Vivienda-en-Granada_Premios-Ascer-480x384.jpg 480w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Vivienda-en-Granada_Premios-Ascer.jpg 590w\" alt=\"\" width=\"300\" height=\"240\" \/>El jurado decide otorgar una menci\u00f3n de honor en la categor\u00eda de Interiorismo al proyecto \u201cVivienda\/Galer\u00eda en la Gran V\u00eda de Granada\u201d de Annona Arquitectura (Silvia Cabrera Jim\u00e9nez y Felipe Hita Su\u00e1rez, con la colaboraci\u00f3n de Ana Fr\u00edas).<\/p>\n<p>Del proyecto el jurado resalta el uso de la cer\u00e1mica como material tanto de pavimento como revestimiento de paredes, techo y mobiliario, identificando a trav\u00e9s del color los nuevos vol\u00famenes generados en la intervenci\u00f3n, al tiempo que reconoce e integra el valor del mosaico original existente.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>Menciones Proyecto Final de Carrera:<\/em><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-17754 alignleft\" src=\"https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Patios-salones-y-escaleras-mencion-PFC-300x143.jpg\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Patios-salones-y-escaleras-mencion-PFC-300x143.jpg 300w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Patios-salones-y-escaleras-mencion-PFC.jpg 453w\" alt=\"\" width=\"300\" height=\"143\" \/>\u201cPatios, salones y escaleras\u00bb de Alicia de Luis S\u00e1nchez de la Escuela de Arquitectura de Madrid. El jurado destaca la reflexi\u00f3n tipol\u00f3gica y ling\u00fc\u00edstica en un solar con una complejidad urbana excepcional.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-17753 alignright\" src=\"https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Cuanto-mas-denso-el-dibujo-mas-fino-el-hilo-mencion-PFC-300x194.jpg\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Cuanto-mas-denso-el-dibujo-mas-fino-el-hilo-mencion-PFC-300x194.jpg 300w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Cuanto-mas-denso-el-dibujo-mas-fino-el-hilo-mencion-PFC-480x311.jpg 480w, https:\/\/publica.site\/wp-content\/uploads\/2022\/11\/Cuanto-mas-denso-el-dibujo-mas-fino-el-hilo-mencion-PFC.jpg 590w\" alt=\"\" width=\"300\" height=\"194\" \/>\u201cCuanto m\u00e1s denso el dibujo m\u00e1s fino el hilo\u201d, de Ana Link L\u00f3pez de la Universidad CEU San Pablo de Madrid. El jurado destaca la puesta en valor de la circularidad en los sistemas constructivos y de las tradiciones materiales, disciplinares y sociales.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.premiosceramica.com\/\" target=\"_blank\" rel=\"noopener\" data-wpel-link=\"external\">www.premiosceramica.com<\/a><\/p>\n<p><a href=\"http:\/\/www.ascer.es\/\" target=\"_blank\" rel=\"noopener\" data-wpel-link=\"external\">www.ascer.es<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Publicaci\u00f3n original:\u00a0https:\/\/publica.site\/2022\/11\/30\/ganadores-de-los-xxi-premios-ceramica-de-ascer\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La sede de ASCER acogi\u00f3 la reuni\u00f3n del jurado de los XXI Premios Cer\u00e1mica de Arquitectura e Interiorismo. El jurado, ha estado presidido por el arquitecto Eric Parry (Eric Parry Architects), y los siguientes vocales: Biba Dow (Dow Jones Architects), Luis Rojo (Rojo\/Fern\u00e1ndez-Shaw); Jos\u00e9 Juan Barba (METALOCUS), Agn\u00e8s Blanch (estudi vilablanch) y \u00c1ngel Pitarch (Colegio &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/anfre.com\/?p=2012\">Seguir leyendo<\/a><\/p>\n","protected":false},"author":1,"featured_media":2013,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2012","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria","item-wrap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\r\n<title>Ganadores de los XXI Premios Cer\u00e1mica de ASCER - Asociaci\u00f3n Nacional de Fabricantes e Instaladores de Productos Refractarios, Materiales y Servicios Afines<\/title>\r\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\r\n<meta property=\"og:locale\" content=\"es_ES\" \/>\r\n<meta property=\"og:type\" content=\"article\" \/>\r\n<meta property=\"og:title\" content=\"Ganadores de los XXI Premios Cer\u00e1mica de ASCER - Asociaci\u00f3n Nacional de Fabricantes e Instaladores de Productos Refractarios, Materiales y Servicios Afines\" \/>\r\n<meta property=\"og:description\" content=\"La sede de ASCER acogi\u00f3 la reuni\u00f3n del jurado de los XXI Premios Cer\u00e1mica de Arquitectura e Interiorismo. El jurado, ha estado presidido por el arquitecto Eric Parry (Eric Parry Architects), y los siguientes vocales: Biba Dow (Dow Jones Architects), Luis Rojo (Rojo\/Fern\u00e1ndez-Shaw); Jos\u00e9 Juan Barba (METALOCUS), Agn\u00e8s Blanch (estudi vilablanch) y \u00c1ngel Pitarch (Colegio &hellip; Seguir leyendo\" \/>\r\n<meta property=\"og:url\" content=\"https:\/\/anfre.com\/?p=2012\" \/>\r\n<meta property=\"og:site_name\" content=\"Asociaci\u00f3n Nacional de Fabricantes e Instaladores de Productos Refractarios, Materiales y Servicios Afines\" \/>\r\n<meta property=\"article:published_time\" content=\"2022-12-27T10:14:42+00:00\" \/>\r\n<meta property=\"article:modified_time\" content=\"2022-12-27T10:16:00+00:00\" \/>\r\n<meta property=\"og:image\" content=\"https:\/\/anfre.com\/wp-content\/uploads\/jurado-3-675x450.jpg\" \/>\r\n\t<meta property=\"og:image:width\" content=\"675\" \/>\r\n\t<meta property=\"og:image:height\" content=\"450\" \/>\r\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\r\n<meta name=\"author\" content=\"rhorcajo40A\" \/>\r\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"rhorcajo40A\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\r\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/anfre.com\\\/?p=2012#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/anfre.com\\\/?p=2012\"},\"author\":{\"name\":\"rhorcajo40A\",\"@id\":\"https:\\\/\\\/anfre.com\\\/wp-nuevo\\\/#\\\/schema\\\/person\\\/9178feecddd35e984545f444bc1388da\"},\"headline\":\"Ganadores de los XXI Premios Cer\u00e1mica de ASCER\",\"datePublished\":\"2022-12-27T10:14:42+00:00\",\"dateModified\":\"2022-12-27T10:16:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/anfre.com\\\/?p=2012\"},\"wordCount\":783,\"publisher\":{\"@id\":\"https:\\\/\\\/anfre.com\\\/wp-nuevo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/anfre.com\\\/?p=2012#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/anfre.com\\\/wp-content\\\/uploads\\\/jurado-3-675x450.jpg\",\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/anfre.com\\\/?p=2012\",\"url\":\"https:\\\/\\\/anfre.com\\\/?p=2012\",\"name\":\"Ganadores de los XXI Premios Cer\u00e1mica de ASCER - 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